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Showing posts from May, 2020

Separating it Out

Last semester, my student came in with the Hoedown from Copland’s Rodeo. 

Let me guess, I said - the low tonguing passage?

Of course she assumed that she had a tonguing problem.  We always assume that.

I started by checking her oboe. There’s no point in beating yourself up to tongue a low D if your instrument is fighting you.  Turning screws is less work than practicing.  That could have been but was NOT the problem.

Then, in rapid succession, we isolated and improved her air, embouchure, and fingers.  Within 20 minutes we had solved the passage and moved on. 

All of these aspects of oboe playing get so tangled up as we work on difficult pieces and passages.  You can work on something as HARD and as EFFORTFULLY as you want, but it can’t really get better until you can isolate your issues and get to the bottom of them.

In our case, I started by taking the tonguing out and asking her to slur the passage. It sounded terrible.  We slowed it down and I asked her connect all of the notes on…